“With this installation, I tried to disregard the distinction between art and artifact, and the so-called hierarchy between art and craft.” - Sarah Crowner

The collaboration between artist and object results in a re-imagined collection now defined by the artist’s own subjectivity. In Clay Bodies: Moving Through Ceramics, Crowner mirrors her painting practice by arranging ceramic objects into KMAC’s exhibition space, exploring her ability to place seemingly fragmented objects into a new order.